Former Trump advisor, lackey and puppet, Omarosa Manigault Newman has captured the attention of the nation this past week with the release of her new book and tapes of the many lies told by the many liars who reside in the Trump administration. While we’re enjoying the barrage of leaks about this disastrous presidency, we’re also incredibly skeptical of Omarosa’s statements. Let’s be clear here – she’s a self-aggrandizing, obnoxious, mendacious, attention whore just like everyone else in the Trump White House including the orange haired man child. When she claims that Trump was eating paper like a spy out of espionage thriller… well… we have our doubts. Especially when she was such a colossal sycophant to Trump while she worked in the White House and praised him on the 2016 campaign trail.
Of course, now that Omarosa has switched teams, Trump, who once praised her, now vilifies her and has sicked his minions to attack her. Which brings us to Kellyanne Conway, Trump’s Queen of Alternative Facts, who recently emerged from her liars lair to spin lies and deception to protect Trump. Last week Conway denied that Trump was racist but yet had a hard time naming any staff members who were African-American. Omarosa’s leaked tapes seemed to have nullified this particular claim. This week, Conway’s domestic troubles with her husband, who is strongly anti-Trump, have surfaced. Every time Conway opens her mouth, lies spew forth like a geyser of misinformation.
We’ve noticed that Trump’s puppet of alternative facts bears a striking resemblance to another puppet: from the 1970s, Wayland Flowers’ Madame. Slap a turban on Conway’s head and load up the blue eye shadow and … Voila! We just wish Conway was as enjoyable as Madame was.
The Queen of Alternative Facts, Donald Trump’s principal prevaricator puppet, Kellyanne Conway, bears a striking resemblance to Wayland Flower’s beloved puppet from the 1970s, Madame.
